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This article profiles a struggling time, 1933 - 34, in the life of artist Harry Everett Townsend. His story is one part of a much larger New Deal narrative that will circle back to the National Archives (NA) and the inadvertent retention and rediscovery of "orphaned" New Deal"business files". Accountings generated during the first federal art program, the Public Works of Art Project (PWAP).
Townsend was desperate for work, he would come to find relief and purpose when he was sent to depict the Civilian Conservation Corps (CCC).
As a WWI veteran combat artist he saw this employment as an opportunity to repay a debt to America,
fulfilling a commitment he felt was long overdue.